The sea always arriving,
hissing in pebbles, is breaking
its edge where the landsman
squats on his rock. The dark
of the earth is familiar to him,
close mystery of his source
and end, always flowering
in the light and always
fading. But the dark of the sea
is perfect and strange,
the absence of any place,
immensity on the loose.
Still, he sees it is another
keeper of the land, caretaker,
shaking the earth, breaking it,
clicking the pieces, but somewhere
holding deep fields yet to rise,
shedding its richness on them
silently as snow, keeper and maker
of places wholly dark. And in him
something dark applauds.
—Wendell Berry
Wendell Wednesday
exploring and sharing a world of poetry
Wednesday, June 7, 2017
Wednesday, May 24, 2017
58
love is a place
& through this place of
love move
(with brightness of peace)
all places
yes is a world
& in this world of
yes live
(skilfully curled)
all worlds
—ee cummings
& through this place of
love move
(with brightness of peace)
all places
yes is a world
& in this world of
yes live
(skilfully curled)
all worlds
—ee cummings
Wednesday, May 3, 2017
For Sheridan
We only live between
before we are and what we were.
In the lost negative
you exist,
a smile, a cypher
on old-fashioned face
in an old-fashioned hat.
Three ages in a flash:
the same child in the same picture,
he, I, you,
chockablock, one stamp
like mother’s wedding silver—
gnome, fish, brute cherubic force.
We could see clearly
and all the same things
before the glass was hurt.
Past fifty, we learn with surprise and a sense
of suicidal absolution
that what we intended and failed
could never have happened—
and must be done better.
—Robert Lowell
before we are and what we were.
In the lost negative
you exist,
a smile, a cypher
on old-fashioned face
in an old-fashioned hat.
Three ages in a flash:
the same child in the same picture,
he, I, you,
chockablock, one stamp
like mother’s wedding silver—
gnome, fish, brute cherubic force.
We could see clearly
and all the same things
before the glass was hurt.
Past fifty, we learn with surprise and a sense
of suicidal absolution
that what we intended and failed
could never have happened—
and must be done better.
Wednesday, April 26, 2017
A Vision
If we will have the wisdom to survive,
to stand like slow-growing trees
on a ruined place, renewing, enriching it,
if we will make our seasons welcome here,
asking not too much of earth or heaven,
then a long time after we are dead
the lives our lives prepare will live
there, their houses strongly placed
upon the valley sides, fields and gardens
rich in the windows. The river will run
clear, as we will never know it,
and over it, birdsong like a canopy.
On the levels of the hills will be
green meadows, stock bells in noon shade.
On the steeps where greed and ignorance cut down
the old forest, an old forest will stand,
its rich leaf-fall drifting on its roots.
The veins of forgotten springs will have opened.
Families will be singing in the fields.
In their voices they will hear a music
risen out of the ground. They will take
nothing from the ground they will not return,
whatever the grief at parting. Memory,
native to this valley, will spread over it
like a grove, and memory will grow
into legend, legend into song, song
into sacrament. The abundance of this place,
the songs of its people and its birds,
will be health and wisdom and indwelling
light. This is no paradisal dream.
Its hardship is its possibility
—Wendell Berry
to stand like slow-growing trees
on a ruined place, renewing, enriching it,
if we will make our seasons welcome here,
asking not too much of earth or heaven,
then a long time after we are dead
the lives our lives prepare will live
there, their houses strongly placed
upon the valley sides, fields and gardens
rich in the windows. The river will run
clear, as we will never know it,
and over it, birdsong like a canopy.
On the levels of the hills will be
green meadows, stock bells in noon shade.
On the steeps where greed and ignorance cut down
the old forest, an old forest will stand,
its rich leaf-fall drifting on its roots.
The veins of forgotten springs will have opened.
Families will be singing in the fields.
In their voices they will hear a music
risen out of the ground. They will take
nothing from the ground they will not return,
whatever the grief at parting. Memory,
native to this valley, will spread over it
like a grove, and memory will grow
into legend, legend into song, song
into sacrament. The abundance of this place,
the songs of its people and its birds,
will be health and wisdom and indwelling
light. This is no paradisal dream.
Its hardship is its possibility
Wednesday, April 12, 2017
In Favor of One's Time
The spent purpose of a perfectly marvellous
life suddenly glimmers and leaps into flame
it's more difficult than you think to make charcoal
it's also pretty hard to remember life's marvellous
but there it is guttering choking than soaring
in the mirrored room of this consciousness
it's practically a blaze of pure sensibility
and however exaggerated at least something's going on
and the quick oxygen in the air will not go neglected
will not sulk or fall into blackness or peat
an angel flying slowly, curiously singes its wings
and you diminish for a moment out of respect
for beauty then flare up after all that's the angel
that wrestled with Jacob and loves conflict
as an athlete loves the tape, and we're off into
an immortal contest of actuality and pride
which is love assuming the consciousness of itself
as sky over all, medium of finding and founding
not just resemblance but the magnetic otherness
that that that stands erect in the spirit's glare
and waits for the joining of an opposite force's breath
so come the winds into our lives and last
longer than despair's sharp snake, crushed before it conquered
so marvellous is not just a poet's greenish namesake
and we live outside his garden in pure tempestuous rights
—Frank O'Hara
life suddenly glimmers and leaps into flame
it's more difficult than you think to make charcoal
it's also pretty hard to remember life's marvellous
but there it is guttering choking than soaring
in the mirrored room of this consciousness
it's practically a blaze of pure sensibility
and however exaggerated at least something's going on
and the quick oxygen in the air will not go neglected
will not sulk or fall into blackness or peat
an angel flying slowly, curiously singes its wings
and you diminish for a moment out of respect
for beauty then flare up after all that's the angel
that wrestled with Jacob and loves conflict
as an athlete loves the tape, and we're off into
an immortal contest of actuality and pride
which is love assuming the consciousness of itself
as sky over all, medium of finding and founding
not just resemblance but the magnetic otherness
that that that stands erect in the spirit's glare
and waits for the joining of an opposite force's breath
so come the winds into our lives and last
longer than despair's sharp snake, crushed before it conquered
so marvellous is not just a poet's greenish namesake
and we live outside his garden in pure tempestuous rights
Wednesday, March 29, 2017
From Nothing
From nothing. From scratch. From the beginning.
Begin from the beginning. Every single time but now again
more purely from the beginning. Those empty palms!
A scrutiny of your end and your beginning
in the grey light, in the suburbs of darkness . . .
Sit and wait with your shoes on. Ready
not for a leap but for the first step.
A smoothed out state . . . A condition
where nothing is yours. Those empty palms
have cost you much. And this is your gain.
—Ella Hillbรคck, translated by Robin Fulton
Begin from the beginning. Every single time but now again
more purely from the beginning. Those empty palms!
A scrutiny of your end and your beginning
in the grey light, in the suburbs of darkness . . .
Sit and wait with your shoes on. Ready
not for a leap but for the first step.
A smoothed out state . . . A condition
where nothing is yours. Those empty palms
have cost you much. And this is your gain.
—Ella Hillbรคck, translated by Robin Fulton
Tuesday, March 21, 2017
The Law that Marries All Things
1.
The cloud is free only
to go with the wind.
The rain is free
only in falling.
The water is free only
in its gathering together,
in its downward courses,
in its rising into the air.
2.
In law is rest
if you love the law,
if you enter, singing, into it
as water in its descent.
3.
Or song is truest law,
and you must enter singing;
it has no other entrance.
It is the great chorus
of parts. The only outlawry
is in division.
4.
Whatever is singing
is found, awaiting the return
of whatever is lost.
5.
Meet us in the air
over the water,
sing the swallows.
Meet me, meet me,
the redbird sings,
here here here here.
—Wendell Berry
The cloud is free only
to go with the wind.
The rain is free
only in falling.
The water is free only
in its gathering together,
in its downward courses,
in its rising into the air.
2.
In law is rest
if you love the law,
if you enter, singing, into it
as water in its descent.
3.
Or song is truest law,
and you must enter singing;
it has no other entrance.
It is the great chorus
of parts. The only outlawry
is in division.
4.
Whatever is singing
is found, awaiting the return
of whatever is lost.
5.
Meet us in the air
over the water,
sing the swallows.
Meet me, meet me,
the redbird sings,
here here here here.
—Wendell Berry
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